{"id":4112,"date":"2022-05-19T14:05:59","date_gmt":"2022-05-19T19:05:59","guid":{"rendered":"https:\/\/thestudiolounge.com\/?p=4112"},"modified":"2022-05-19T14:05:59","modified_gmt":"2022-05-19T19:05:59","slug":"mixer-kenny-kaiser-moves-from-live-sound-to-dolby-atmos-with-focusrite-rednet-technology","status":"publish","type":"post","link":"https:\/\/thestudiolounge.com\/index.php\/2022\/05\/19\/mixer-kenny-kaiser-moves-from-live-sound-to-dolby-atmos-with-focusrite-rednet-technology\/","title":{"rendered":"Mixer Kenny Kaiser Moves From Live Sound to Dolby Atmos With Focusrite RedNet Technology"},"content":{"rendered":"<p>Working Title Recording Studios in San Mateo, CA, is a new breed of music<br \/>\nproduction facility. One of only a handful of Dolby Atmos\u00ae-certified studios in<br \/>\nthe Bay Area, it was founded by Kenny Kaiser, long-time front-of-house mixer<br \/>\nfor artists including The Killers, Sammy Hagar, and his associate Forrest<br \/>\nLawrence, a noted mixer and system technician.<\/p>\n<p>Kaiser says mixing in the immersive, three-dimensional Atmos environment is<br \/>\nthe next step for music. \u201cSince the pandemic lockdown, everyone is looking for<br \/>\na new experience,\u201d he says. \u201cIt&#8217;s going to be here for a very long time.\u201d As well<br \/>\nas his acclaimed mixing skills, Kaiser also brought some other things to the<br \/>\nventure \u2014 key components from his inventory of Focusrite Red and Focusrite<br \/>\nRedNet products. These included the Focusrite Red 16Line 64-In\/64-Out<br \/>\nThunderbolt\u2122 3 and Pro Tools | HD\u2122 compatible audio interface and Focusrite<br \/>\nRedNet MP8R eight-channel mic pre. He also added his unusual but effective<br \/>\nstudio-monitoring choice: a full Atmos 7.1.4 array including C8.1T overhead<br \/>\nspeakers, CDD8 surround speakers, and CDD10 main speakers, all from Martin<br \/>\nAudio \u2014 the same brand whose MLA line arrays he prefers on tour.<\/p>\n<p>While Kaiser continues to work with Hagar\u2019s current project, the Circle, Kaiser<br \/>\nand Lawrence have their sights set on music, commercial, and corporate<br \/>\nproduction work at Working Title Recording, with Focusrite equipment integral<br \/>\nto making it effective and efficient. The Dante network and Focusrite products<br \/>\ncompletely cover the facility\u2019s two control rooms and four tracking\/recording<br \/>\nspaces. \u201cI was talking to Forrest, and I said we can run one mic line on Mogami<br \/>\nXLR cabling for $180, or we can get 128 channels over a thousand feet of Cat 5<br \/>\ncable for a fraction of that,\u201d recalls Kaiser. \u201cAnd we don\u2019t have to be punching<br \/>\nso many holes in walls. Between the cost saving and the ease of connections,<br \/>\ngoing with Focusrite interfaces made total sense.\u201d<\/p>\n<p>Kaiser says the Focusrite Red 16Line units have become the studio\u2019s go-to<br \/>\nconverters and act as the I\/O between mic pre-amps and the studio\u2019s Pro Tools<\/p>\n<p>systems as well as the main control room\u2019s SSL Sigma console. The Focusrite<br \/>\nRedNet MP8R moves around the facility in its own rack as needed. \u201cWe have<br \/>\nthat as a floating mic pre that we use in four recording rooms \u2014 two regular<br \/>\nlive rooms, a loading dock room which we also use to track in, and a front<br \/>\nroom that we use for either guitars or if we have somebody that has a small<br \/>\nproject coming in,\u201d he explains.<\/p>\n<p>Collectively, Focusrite technology gives Working Title Recording Studios a<br \/>\nflexible and reliable digital ecosystem that lets those in the studio focus on<br \/>\ncreativity. \u201cFor instance, I\u2019m able to patch whatever I want to patch and it\u2019s all<br \/>\non one screen,\u201d he says. \u201cAnd the Focusrite mic pres sound super, I\u2019m a huge<br \/>\nfan of them. Combine that with what Atmos can do with music \u2014 we&#8217;ve had<br \/>\nabout 15 demos with artists and record-label people, and we\u2019ve seen two<br \/>\npeople actually cry when they heard it \u2014 and you literally get goosebumps<br \/>\nhearing it. It\u2019s that amazing. And Focusrite lets us do that.\u201d<\/p>\n<p>\u201cTo get the infrastructure going with a traditional analogue way of thinking, it<br \/>\nwould have been three times as expensive. Just being able to have these units<br \/>\nand not have to worry about conversions \u2013 just plug in a Cat 5 cable and get to<br \/>\nwork \u2013 there\u2019s so much money and time saved.\u201d<\/p>\n<p>Along with the Martin Audio speakers, which Kaiser says are well matched with<br \/>\nthe Dolby Atmos SPL and EQ-curve specifications, Working Title Recording<br \/>\nStudios has what it takes to be competitive. \u201cAnd the holes in the wall are a lot<br \/>\nsmaller,\u201d he laughs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Working Title Recording Studios in San Mateo, CA, is a new breed of music production facility. One of only a handful of Dolby Atmos\u00ae-certified studios in the Bay Area, it was founded by Kenny Kaiser, long-time front-of-house mixer for artists including The Killers, Sammy Hagar, and his associate Forrest Lawrence, a noted mixer and system [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[47],"tags":[839,836,242,838],"class_list":["post-4112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industry-news","tag-atmos","tag-dolby-atmos","tag-focusrite","tag-rednet-technology"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thestudiolounge.com\/wp-content\/uploads\/2022\/05\/kennykaiser-1-1200-627.png","jetpack_sharing_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/4112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/comments?post=4112"}],"version-history":[{"count":0,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/4112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media\/4113"}],"wp:attachment":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media?parent=4112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/categories?post=4112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/tags?post=4112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}