{"id":2849,"date":"2020-06-01T11:33:39","date_gmt":"2020-06-01T16:33:39","guid":{"rendered":"https:\/\/thestudiolounge.com\/?p=2849"},"modified":"2020-06-10T11:35:49","modified_gmt":"2020-06-10T16:35:49","slug":"avantone-pro-brings-back-sub-frequency-kick-drum-microphone","status":"publish","type":"post","link":"https:\/\/thestudiolounge.com\/index.php\/2020\/06\/01\/avantone-pro-brings-back-sub-frequency-kick-drum-microphone\/","title":{"rendered":"Avantone Pro Brings Back Sub-frequency Kick Drum Microphone"},"content":{"rendered":"<p>TALLMAN, NY, USA: Avantone Pro is proud to announce availability of Kick \u2014 an aptly-named sub-frequency kick drum microphone that effectively brings back to life a well-known extinct example by utilising the affordable high-quality audio products producer\u2019s own reproduction \u2018white cone\u2019 low-frequency driver to capture lower frequencies than a standard dynamic microphone, giving kick drum sounds that still-sought-after subsonic signature \u2014 as of June 1\u2026<\/p>\n<p>While using a speaker as a low-frequency capture microphone is nothing new \u2014 after all, The Beatles used this technique on their chart-topping \u2018Paperback Writer\u2019 way back in May 1966, watching people dangling a speaker from a makeshift stand, rewiring a monitor driver, or hot-wiring a combo amp to try and capture those lows is far from a pretty experience with results not necessarily assured, Kick ably addresses this by bringing the boom from appropriate instruments out to the forefront, making large-sounding sources sound massive. Moreover, it neatly does so with a sub-frequency microphone that utilises its well-known reproduction \u2018white cone\u2019 low-frequency driver \u2014 not just any driver, though\u2026 the driver!<\/p>\n<p>Avantone Pro\u2019s AV-10 MLF low-frequency replacement driver used in its CLA-10 recreation of an iconic studio reference monitoring mainstay \u2014 and compatible with the Japanese original \u2014 is also at the beating heart of Kick. Indeed, it has a single continuous press-formed cone to match that classic sound and allows a much higher level of quality control and consistency during the manufacturing process as well as delivering strong bass reproduction. In Kick\u2019s case, the AV-10 MLF\u2019s distinctive 18cm cone acts as a microphone element. The microphone itself is of a moving coil dynamic type, with a 50Hz to 2kHz frequency response, 6.3 \u03a9 output impedance, and figure-eight pattern, plus a male XLR connector. All are housed in a birch plywood drum shell with a 10-inch mesh drum head.<\/p>\n<p>Having said all that, to then mount Kick on a standard mic stand simply would not do the job justice \u2014 which is exactly why Avantone Pro provides a stage-ready, double-braced drum stand. Studio-bound or on the road, the comprehensive Kick package is really ready to deliver!<\/p>\n<p>Kick is available at Avantone Pro\u2019s US Dealers (http:\/\/www.avantonepro.com\/us-dealers.php) with a MAP (Minimum Advertised Price) of $349.00 USD.<\/p>\n<p>European SSP (Suggested Selling Price) is \u20ac399.00 EUR, including VAT, with worldwide Distributors listed by country here: http:\/\/www.avantonepro.com\/worldwide.php<\/p>\n<p>For more in-depth information, please visit the dedicated Kick webpage here: http:\/\/www.avantonepro.com\/kick.php<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TALLMAN, NY, USA: Avantone Pro is proud to announce availability of Kick \u2014 an aptly-named sub-frequency kick drum microphone that effectively brings back to life a well-known extinct example by utilising the affordable high-quality audio products producer\u2019s own reproduction \u2018white cone\u2019 low-frequency driver to capture lower frequencies than a standard dynamic microphone, giving kick drum [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2850,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[33],"tags":[],"class_list":["post-2849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hardware-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thestudiolounge.com\/wp-content\/uploads\/2020\/06\/bbee203795bb61904e9c4eb1eae4ca0961adf6d0.jpeg","jetpack_sharing_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/2849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/comments?post=2849"}],"version-history":[{"count":0,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/2849\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media\/2850"}],"wp:attachment":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media?parent=2849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/categories?post=2849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/tags?post=2849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}