{"id":2465,"date":"2019-10-11T09:51:56","date_gmt":"2019-10-11T14:51:56","guid":{"rendered":"https:\/\/thestudiolounge.com\/?p=2465"},"modified":"2019-10-11T09:51:56","modified_gmt":"2019-10-11T14:51:56","slug":"allen-heath-announces-third-installment-in-96khz-mixer-trilogy-avantis","status":"publish","type":"post","link":"https:\/\/thestudiolounge.com\/index.php\/2019\/10\/11\/allen-heath-announces-third-installment-in-96khz-mixer-trilogy-avantis\/","title":{"rendered":"Allen &#038; Heath Announces Third Installment In 96Khz Mixer Trilogy: Avantis"},"content":{"rendered":"<p>Allen &amp; Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company&#8217;s XCVI FPGA engine. Avantis puts Allen &amp; Heath&#8217;s next-generation technology in a 64 channel \/ 42 configurable bus console, with twin Full HD touchscreens, extensive I\/O options and processing from the company&#8217;s flagship dLive mixing system.<\/p>\n<p>&#8220;Joining dLive and SQ, Avantis completes our trilogy of next-gen 96kHz consoles,&#8221; says Rob Clark, Allen &amp; Heath&#8217;s Managing Director. &#8220;Avantis takes many of the features that have made SQ and dLive so popular, putting them in a standalone 64-channel mixer that offers a new UI experience, connectivity with our Everything I\/O ecosystem, and the dPack option which gives you access to our advanced dLive processing options if and when you need them.<\/p>\n<p>&#8220;On top of that,&#8221; adds Rob, &#8220;we&#8217;ve taken a new approach with the industrial design, coming up with a full metal chassis that\u2019s super-strong, lightweight and looks fantastic.&#8221;<\/p>\n<p>Encased in its alloy shell and tubular frame, the Avantis control surface is centered on the two Full HD touchscreens and their corresponding rotary controls.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2466\" src=\"https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1024x724.jpg\" alt=\"\" width=\"696\" height=\"492\" srcset=\"https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1024x724.jpg 1024w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1536x1086.jpg 1536w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-2048x1448.jpg 2048w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-300x212.jpg 300w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-768x543.jpg 768w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-696x492.jpg 696w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1392x984.jpg 1392w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1068x755.jpg 1068w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1920x1358.jpg 1920w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-594x420.jpg 594w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-1188x840.jpg 1188w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-100x70.jpg 100w, https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_2-200x140.jpg 200w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<p>&#8220;Having two touchscreens isn&#8217;t a new concept, but we realised we could use it to unlock exciting new possibilities, which led us to develop Continuity UI,&#8221; says Andy Bell, Allen &amp; Heath&#8217;s R&amp;D Director.<\/p>\n<p>&#8220;Within seconds of getting hands-on with Avantis, engineers are going to appreciate the seamless flow between the physical controls and the on-screen software. You can work gains and pans on the rotaries, then at the touch of a soft key switch to EQ or dynamics across the whole strip. The console also provides a highly configurable FastGrab tab on the right-hand side of each screen, offering another way to quickly and easily access control of aux sends, EQ, compressor and FX on the currently selected channel or spot channel.<\/p>\n<p>&#8220;Ultimately, with Continuity UI, the engineer decides how they&#8217;d like to work, not the mixer.&#8221;<\/p>\n<p>While many users will choose to pair Avantis with the 48 in \/ 16 out GX4816 audio expander, Avantis is part of Allen &amp; Heath\u2019s Everything I\/O ecosystem, which means whether you\u2019re an owner\/operator looking to build a compact system, or a rental company with existing Allen &amp; Heath stock, Avantis allows true flexibility by connecting to a huge range of audio expander hardware. Avantis is also compatible with Allen &amp; Heath&#8217;s range of ME Personal Mixers and IP hardware remote controllers.<\/p>\n<p>For local I\/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out). Two additional I\/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64&#215;64 and 128&#215;128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH \/ monitor splits and multitrack recording.<\/p>\n<p>Right out of the box, Avantis is loaded with processing tools designed to meet the demands of most users and applications, including compressors, EQs and Allen &amp; Heath&#8217;s acclaimed RackExtra FX units (12 slots). Upgrading to dPack expands Avantis further with additional dLive processing including the Dyn8 dynamics engine (up to 16 instances), DEEP Compressors, and the Dual-Stage Valve preamp. dPack purchasers will automatically receive all future DEEP and FX updates free of charge, future-proofing their investment.<\/p>\n<p>&#8220;In the gap between SQ and dLive, the mixer market is littered with 48kHz DSP-based &#8216;old-school&#8217; consoles,\u201d says Nic Beretta, Allen &amp; Heath\u2019s Head of Product. \u201cAvantis brings next-generation performance across the board. Customers in venues, houses of worship, touring and the rental market are going to be seriously impressed by how well this ticks the boxes. It&#8217;s a really exciting mixer at a compelling price.&#8221;<\/p>\n<p>Full details and spec at allen-heath.com\/avantis<\/p>\n<p>Avantis pricing as follows:<\/p>\n<p>Mixer only: USD $9,999 MSRP \/ EUR \u20ac9,699 MSRP<br \/>\ndPack add-on: USD $1,499 MSRP \/ EUR \u20ac1,499 MSRP<br \/>\nGX4816 Remote Expander: USD $3,999 MSRP \/ EUR \u20ac3,499 MSRP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allen &amp; Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company&#8217;s XCVI FPGA engine. Avantis puts Allen &amp; Heath&#8217;s next-generation technology in a 64 channel \/ 42 configurable bus console, with twin Full HD touchscreens, extensive I\/O options and processing from the company&#8217;s flagship dLive mixing system. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[33],"tags":[561,562],"class_list":["post-2465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hardware-news","tag-allen-heath","tag-avantis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thestudiolounge.com\/wp-content\/uploads\/2019\/10\/Avantis_Press_Image_1.jpg","jetpack_sharing_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/2465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/comments?post=2465"}],"version-history":[{"count":0,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/posts\/2465\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media\/2467"}],"wp:attachment":[{"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/media?parent=2465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/categories?post=2465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thestudiolounge.com\/index.php\/wp-json\/wp\/v2\/tags?post=2465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}