New Providence, Bahamas – A 48 Channel SSL Duality δelta hybrid analogue console has been chosen as the heart of a new luxury studio in the Bahamas.
Located at Albany, a 600-acre luxury resort community on New Providence backed by Joe Lewis, golfing greats Tiger Woods and Ernie Els, and actor and musician Justin Timberlake, The Sanctuary powered by Monster Energy sits along the harbour of Albany’s mega-yacht marina, surrounded by luxury residences designed by some of the world’s most renowned architects.
Initially conceived in a conversation with Albany resident Charles Goldstuck, entrepreneur and investor, currently founder and co-chairman of Hitco Entertainment, and Christopher Anand, managing partner of Albany, the studio was designed as a place where musicians and creators can be inspired to do their best work and to give the more than dozen music professionals with homes at Albany the opportunity to both work and live within the community.
The accuracy of the control room, the incredible open and warm feel of the main live room and booths set against views that are beyond inspiring, contribute to a studio that brought together all that we have learned in our careers to date.David Bell, White Mark Ltd
The project took four years to complete from start to finish with UK studio design consultancy White Mark Limited involved from a very early stage, helping with equipment choices as well as studio design and acoustics alongside Danish architect Bjarke Ingels of Bjarke Ingels Group (BIG) and studio director Ann Mincieli, owner of New York City’s Jungle City Studio and longtime engineer and studio coordinator for Alicia Keys.
The Sanctuary has six studios – a main control room and live room with two vocal booths, plus five smaller studios that are equipped with Pro Tools and Mac workstations. The control room is equipped with a 48-channel Solid State Logic Duality δelta console, custom Exigy monitors and a host of outboard gear including digital and many vintage pieces.
Managing Director, David Bell, Managing Director of Whitemark, says that The Sanctuary at Albany compares with any of their most notable projects: “It’s impressive – both visually and acoustically,” he explains. “Just the idea of building a studio like this in today’s economic climate seemed like a brave thing to do, but when we saw what the owners were trying to achieve in terms of aesthetics, acoustic quality and location, we were blown away – and very proud to be part of such an incredible project.
“The accuracy of the control room, the incredible open and warm feel of the main live room and booths set against views that are beyond inspiring, contribute to a studio that brought together all that we have learned in our careers to date. The experience of hearing the first playing of the Steinway in the main live room will live with me for a long time.”
Although The Sanctuary is intended as a destination studio for top artists, there is also a strong link with the education community, with the five smaller studios doubling as music technology classrooms. Through partnerships with top music programs such as the Berklee School of Music, Kennesaw State University’s Joel A. Katz Music and Business Program and other institutions, The Sanctuary offers academy-style teaching programs and scholarships to local Bahamian teens through the Bahamas Youth Foundation.